A who's who,coming in 2 parts, of the key players set to make waves in the dnb scene this year. There's a lot of fresh talent around at the moment so putting together this list was very difficult. Some you might be familiar with, others you'll be meeting for the first time. One thing for sure is that you'll be seeing a lot more from these guys before the year's out! Check out the links and interviews for the definitive guide on what to expect.
10. JUBEI

With releases on the some of the scenes biggest labels, a television project with Goldie and praise coming from all corners of the drum & bass spectrum... Everyone's talking about Jubei right now.
One of the first things that becomes apparent about Jubei is his sheer depth of musical knowledge. It's true that his love affair with electronic and dance music has spanned almost 20 years but even a cursory listen to his back catalogue yields evidence of a much wider palette of influences.
His tunes have found their way into the hearts of the ravers and the record bags of the A list and have been regularly smashing floors worldwide.
Jubei has already signed tracks to Metalheadz, Renegade Hardware, Coded, Shogun and Exit amongst others and he's only set to become more prolific in the future. He's collaborated with other respected producers including Sabre, Logistics, Icicle and Breakage and formed a successful studio partnership with Coded boss and Turbulence man Phobia which has already spawned numerous tech and minimal flavoured anthems.
As a DJ, Jubei recently signed with the well known booking agency, Reprise. A move that's likely to push his already successful domestic and international touring schedule into a whole new league.
Given these achievements, you may be surprised to learn that Jubei has only been producing seriously for four years now but In a time when new artists are ten a penny and fledgling labels are pushing out tracks with little regard for quality control, a genuine talent like Jubei is more vital than ever to ensure the ongoing success and development of dnb.
Example Magazine was lucky enough to get the low down from the man himself.........
Example: Describe your sound.........
JUBEI:I hate answering this question as I always say cliché things but Drum & Bass really... my favourite bits of tunes are usually the roll outs were everything strips back to just drums and bass. I mean, I personally think its impossible to describe my sound, its best for other people to listen and maybe they can describe it. I like to think i have carved out my own sound but at the same time I don't want to sound the same all the time or to be thought of as someone who can only do one particular thing.
Example: What attracted you to drum & bass?
JUBEI: When I first started listening to dance music around 1992/1993 it was more the 4/4 stuff I was hearing like Detroit Techno, Chicago House etc. So when I first heard Hardcore & Jungle it was so different to what I was used to hearing it just caught my attention straight away. I don't think I can pin point what it is or was that made me stop buying 4/4 records and start hunting out Jungle but I was excited by it and that was enough to get me asking questions in the record shops.
Example: How long have you been making music?
JUBEI:I have had my own set up for 4 years now, but I learnt a lot from people when I used to do collabs before I had my own computer, so I have been making music on my own for just over 4 years now but I have been doing collabs and sitting in on studio sessions for about 6/7 years now.
Example: What do you think has had the strongest effect on creating your sound?
JUBEI:Understanding the music, and not just copying who is getting a lot of attention because you think that will get you noticed, it doesn't and it wont work. Spending the time in the studio and I think you make your own sound over a period of time anyway by just making track after track and picking up working habits. When I got my set up it was in the middle of a bad time for me, I had just left London and I was in the middle of nowhere. All i had was my computer really, at the time I hated the situation I was in but now looking back it was probably the best place for me to be to be able to dedicate myself entirely to music and form what has now become my sound.
Example: What kind of studio set up are you working on?
JUBEI: A pretty basic one at the minute, I run Cubase SX 2 on a PC, I use Kontakt 1 as my main sampler and all the plug ins I can get my hands on and my monitors are Spirit Absolute 2s. Although I have just borrowed a Virus C synth and we (Code 3) have just invested in an Ivory Valve Compressor so this year the plan is to use a bit of both.
Example: I heard that you recently moved back down south. Was it a work related decision and what effect do you think that will have on your career?
JUBEI: The reason I moved back to London was not really a career decision at first, but deciding to stay definitely was. I've been back in London for over 6 months now and a lot has happened for me. Being back down here has really pushed things forward, and it's also a lot better for me to get to and from gigs. If I was still back in Newcastle it would be a nightmare getting to places like Brighton or Bristol and then back, Newcastle is just a little bit too far up the map.
Example: Do you think it will have a negative effect on the working relationship you've built up with James (Phobia)?
JUBEI: It will have an affect with me being about 300 miles away and the fact i hate making music over the Internet, I just cant seem to do it. However this is not to say we wont work together again, we have plans to work together as and when we can. We are both very busy but there will be more collabs between us as we both enjoy them and the end results are always pleasing for us both.
Example: You've received a lot of praise as a producer over the last year, are you feeling any pressure to deliver?
JUBEI: At first I didn't think about it like that, but now I have seen how people are receiving my tracks and now I am thinking I have to better my last tracks. This is something that happens to everyone who makes tracks so I guess I just have to get on with it and try not to stress myself out or worry about the "pressure".
Example: What were your highlights of 2009?
JUBEI: The highlights for me were becoming a Metalheadz artist, working on the BBC Proms Project with Goldie, joining The Reprise Music Agency, moving back to London, getting to work in a studio environment with people like Goldie, dBridge, Breakage, Alix Perez, Icicle and SPY.
Example: What have you got in the pipeline for the next 12 months?
JUBEI: Over the next 12 months I have releases to come on Metalheadz, Exit records, Critical and more to come through out the year and to just continue DJing more & more.
Example: Who are you feeling and who are your ones to watch in 2010?
JUBEI: At the minute the usual players are making great tunes, people like dBridge, Instra:mental, Alix Perez, Icicle, Spectrasoul, Breakage etc and the people who I would say to look out for this year would be Code 3, Ulterior Motive, Rockwell & FD, as they all seem to have an amazing collection of tracks at the moment.
Example: Do you have any plans outside of dnb/music?
JUBEI: I made a Techno track with Dakuan who is 1 / 3rd of Code 3 the other day and really enjoyed that, we got a lot of positive feedback from the few people I sent the track to and i think this might be something I'd like to do more in the future but maybe as a side project.
Jubei will play Hit & Run on 8th March. Check 'Outcast' on Critical http://www.youtube.com/watch?v=EHB58Z5nPic
For audio of new tracks, forth coming releases and DJ schedule please check the myspace... www.myspace.com/djjubei
Boris Daenen aka Netsky has performed the enviable task of Garnering support from the likes of Fabio, Friction & London Elektricty and receiving a nomination for 'best up & coming producer' at the dnba awards within a year of his first release.
In his first 12 months on the scene Boris has quickly become known for his brand of polished liquid funk and has signed tracks to Spearhead, Allsorts & SGN:Ltd and finally topped of his year signing an exclusive multiple album deal with the mighty Hospital records. The sheer musicality involved in each track is staggering and Boris name-drops a diverse mix of influences that have helped shape and develop his sound.
Netsky is visiting the UK for a short tour in April and be appearing at Hospitality events in Manchester, Bristol, London, Birmingham and Brighton in April as well as dates Liverpool and Newcastle.
You can learn more about Netsky at:
8. NEED FOR MIRRORS
What started as a casual collaboration between two of the new schools most exciting beatmakers has quickly morphed into an entity in its own right. Need for mirrors is a new project featuring V recordings man Mosus and HLZ.
Both producers gathered a wealth of experience on their individual journeys within drum & bass before finally meeting in London in early 2008. Mosus spent his early years growing up in New Zealand, a country now renowned for it's high calibre of homegrown dnb talent. His parents were deeply passionate about music and this provided a solid and diverse foundation for his growth as an artist. Mosus steadily gained recognition behind the decks and toured NZ and Australia extensively with the likes of Shyfx, Bryan G, Bailey, Dom & Roland etc before being asked to work for Bryan G in the UK. He is now an integral part of the V recordings family. HLZ began his musical career back in his native Milan as part of the Hertzquake crew building up his reputation as a DJ and promoter.
Move forward a couple of years and both Mosus and HLZ were living in London and earning respect as producers in their own right, racking up releases on some of the scenes highest regarded imprints. After a number of successful collabs together and a wealth of new tracks coming all the time it made sense to take advantage of this studio chemistry and join forces on a more permanent basis with a fresh brand name for the project, Need For Mirrors was born.
Stylistically, NFMs sound is more of a refining of the pairs previous solo works than a fresh departure. They combine minimal atmospherics with punchy drums and menacing low frequency sounds to create the type of electronica that can be appreciated away from the clubs without losing the edge to send the dance into a frenzy.
Example Magazine caught up with Need For Mirrors to get the lowdown 
Example: What attracted you to drum & bass?
NEED FOR MIRRORS: For us it's the limitless musical possibilities that the dnb format can offer. We write dnb from 170 too 174 but we are not restricted by just this tempo we also write music at 120>130>140bpm.
Example: How long have you been producing as a duo and what prompted the step up from collaboration to full working project?
NEED FOR MIRRORS: We linked up in early 2009 and from then our relationship grew and we knew that we had to start a group. The project would be stronger under one name. This was no longer just a collaboration of two artists for one release, before we knew it we had signed 4 x 12" for the following labels liquid v, dsm , shogun ltd, nu directions and a ep on 31. At that time we hadn't come up with name " need for mirrors" but as of the shogun ltd release nfm was born.
Example: What do you think has had the strongest effect on creating your sound?
NEED FOR MIRRORS: Our open minded attitude towards electronic music and changing directions and influences we can draw from living in London. We both come from overseas and have based ourselves in the UK, so its amazing opportunity to live your dreams writing music in a metropolis like London.
Example: How do you feel about the state of the scene at present?
NEED FOR MIRRORS: The dance music scene is healthy, there are so many different scenes coming together and djs sets are far more diverse. It feels great to be involved in electronic music culture. We are just focusing on making music that is as reflective and inspirational as our influences.
Example: What were your highlights of 2009?
NEED FOR MIRRORS: Starting NFM...
Example: What have you got in the pipeline for the next 12 months?
NEED FOR MIRRORS: Next out we have the shogun ltd A: tilt feat: zero t aa: wasted youth out on Monday 22nd feb then a 12 on nudirections: lowtide & narrative which comes with a limited edition sleeve artwork we helped to design. Also, there is a 12 on zero ts footprints label a:" sick in the head" and aa"charlatan feat zero t and a remix we have finished of kabuki feat jeru the damaja - watch your step coming on v recs. By summer we have a 12 on liq-weed ganja an ep on 31 recs and another 12 on shogun ltd. Also, it's worth noting that we have been working closely with DRS on series of tracks for his forthcoming album on Soul:r.
Example: Do you have any plans outside of dnb/music?
NEED FOR MIRRORS:We are currently writing all tempos of music, we have just finished a 130bpm remix of dubstep track by unquote for nu directions which will be out june on a special 10" format. Look out for some minimal techno that will be surfacing later in the year.
Example: Who are you feeling and who are your ones to watch in 2010?
NEED FOR MIRRORS: Autonomic, Ulterior Motive, the Icicle album, Artificial Intelligence album, Craggz and PF album, DRS album / Kiat / Sinistar / Agzilla / Zomby / Joy Orbison / The xx.
Example: any last words?
Thanks Example Mag for sharing our reflections.
http://www.myspace.com/needformirrors
7. Camo & Krooked: (Austria)
Reinhard Rietsch & Markus Wagner, known to the dnb world as Camo and Krooked respectively are swiftly moving up the ranks with releases on some of the biggest labels around and a sound that is just as suited to liquid nights as it is for the jump up crew. Although individually involved in drum & bass since 2002, the pair have only been collaborating since 2007. While they gained widespread support in 2009, this is likely to be their year to shine. The high quality of their productions set them out as ones to watch early on but with an increasingly busy touring schedule the duo are now firing on all cylinders. Previous releases include an appearance on the 'Acts of Madmen' LP on Viper recordings and the epic 'Edge of Mind' EP on John B's Beta Recordings.
As producers Camo & Krooked are now very much in demand and the pair have a who's who of drum & bass royalty fighting to sign their tunes. The next few months will see more releases on Viper, Beta, Breakbeat Kaos, and the native Austrian label Mainframe will release their debut album 'Above and Beyond' in mid February.
Amidst all of the excitement Markus and Reinhard have still found time to start a new monthly event called Slap with veteran dnb'er and Mainframe boss Dj Disaszt boasting line ups featuring Quality artists from around the world.
Away from drum & bass, Camo & Krookeds studio prowess can be enjoyed through their new project, Chrome. The new venture is to provide an outlet for their other musical interests including minimal house and downtempo beats without compromising what they have already worked hard to achieve.
Camo & Krookeds official 'Vampires' video: http://www.youtube.com/watch?v=0u_efJAuKnE
For more info look up www.myspace.com/camokrooked


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